The Other in William Shakespeares Othello Essay -- William Shakespear

The Other in William Shakespeares OthelloIn some(prenominal) of Shakespeares breezes the writer introduces the notion of being considered an other, and whether certain groups are in or out. This theme is signifi chiffoniertly portrayed in the play Othello, in which a swarthy general living in Venice must(prenominal) ever struggle to balance his dual nature of both bind off and Venetian. It is discernible that before the play begins, Othello has not yet resolved his double-tongued egotism-image however, end-to-end the action of the play, he is put in a maliciously-designed locating which causes his insecurities and self doubt to breed, allowing the Venetian?s stereotype of the brutal and beastly black man to consume Othellos eloquence and education adopted as a Christian phalanx leader in high society. Othellos fall into groundless stupidity intensifies throughout the play, but is last-placely resolved in his final spoken communication in Act V, scene ii, just befo re he stabs himself to goal Othello reconciles both of his identities in asking that he be remembered as he is and not as what the Venetian insiders see him to be, and what he has aim in the course of the play - a vile, unforgiving, savage Moor. Othello is one of Shakespeare?s native examples of an ?other?, someone who doesn?t truly belong to society by some unfortunate inheritance of ethnicity and race, made worse by the shun stereotypes constructed by the Venetians to apply to noncitizens like him. Although Othello is a gifted military hero, a ?worthy governor? (II.i.30) and a ?full soldier? (II.i.36), he is as well damned by his color, his blackness. Most of the Venetian insiders, including his wife Desdemona, point to Othello as merely ?the Moor?, and label him with such(prenominal) blatant insults as ?l... ...n outsider like Othello to be. So in essence, the killing spree that ensues from the preceding(prenominal) events can be blamed on the racist natures of t he Venetians themselves, allowing a mortal such as Othello to be socially constructed according to their opinion of him as a killer and madman. Works CitedCollier, Judith, and Francine Prose. The Outsider within Othello and the Military Code. Ed. Leslie Knox. capital of Texas U of Texas P, 2009. Print. Shakespeare, William. Othello. Making Literature Matter An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. fourth ed. capital of Massachusetts Bedford / St. Martins, 2009. 706-793. Print. The Other in William Shakespeares Othello Essay -- William ShakespearThe Other in William Shakespeares OthelloIn several of Shakespeares plays the writer introduces the notion of being considered an other, and whe ther certain groups are in or out. This theme is significantly portrayed in the play Othello, in which a black general living in Venice must constantly struggle to balance his dual nature of both Moor and Venetian. It is apparent that before the play begins, Othello has not yet resolved his duplicitous self-image however, throughout the action of the play, he is put in a maliciously-designed situation which causes his insecurities and self doubt to breed, allowing the Venetian?s stereotype of the brutal and ignorant black man to consume Othellos eloquence and education adopted as a Christian military leader in society. Othellos fall into uncivilized madness intensifies throughout the play, but is finally resolved in his final speech in Act V, scene ii, just before he stabs himself to death Othello reconciles both of his identities in asking that he be remembered as he is and not as what the Venetian insiders see him to be, and what he has become in the course of the play - a vile , unforgiving, savage Moor. Othello is one of Shakespeare?s prime examples of an ?other?, someone who doesn?t truly belong to society by some unfortunate inheritance of ethnicity and race, made worse by the negative stereotypes constructed by the Venetians to apply to outsiders like him. Although Othello is a gifted military hero, a ?worthy governor? (II.i.30) and a ?full soldier? (II.i.36), he is also damned by his color, his blackness. Most of the Venetian insiders, including his wife Desdemona, refer to Othello as merely ?the Moor?, and label him with such blatant insults as ?l... ...n outsider like Othello to be. So in essence, the killing spree that ensues from the above events can be blamed on the racist natures of the Venetians themselves, allowing a person such as Othello to be socially constructed according to their opinion of him as a killer and madman. W orks CitedCollier, Judith, and Francine Prose. The Outsider within Othello and the Military Code. Ed. Leslie Knox. Austin U of Texas P, 2009. Print. Shakespeare, William. Othello. Making Literature Matter An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. 4th ed. Boston Bedford / St. Martins, 2009. 706-793. Print.